Hud
Der Wildeste unter Tausend |
El más salvaje entre mil |
Hud - Lännen kapinallinen |
Hud il selvaggio |
Hud -Västens rebell
Average: 4
- ratings (2)
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Director:
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Martin Ritt
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Production:
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Paramount Pictures
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Year:
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1963
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Running time:
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102'
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Cast:
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Melvyn Douglas,
Patricia Neal,
Paul Newman
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Genre:
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Action,
Drama,
Western
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Plot synopsis:
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Having been burned by com...
Having been burned by compromises to censors on his earlier films Cat on a Hot Tin Roof and Sweet Bird of Youth, Paul Newman decided to star in as uncompromising a property as he could find. That property was Hud, inspired by a portion of Larry McMurtry's novel, Horseman Pass By. Hud Bannon (Newman) is a young Texas rancher who lives with his cattleman father Homer (Melvyn Douglas) and his hero-worshipping nephew Lon (Brandon DeWilde). Hud is an amoral, cold-hearted creature; his father, who holds Hud responsible for the death of his other son, tries to imbue Lon with a sense of decency and responsibility to others, but Lon is devoted to Hud and isn't inclined to listen. When hoof-and-mouth disease shows up in one of the elder Bannon's cows, Hud is all for selling the herd before the government inspectors find out. But Homer orders the cattle destroyed (the film's most harrowing sequence), driving an even deeper wedge between himself and Hud. Finally, Hud steps over the line by attempting to rape Alma (Patricia Neal), the earthy but warm-hearted housekeeper. Paul Newman was so repellantly brilliant as an unregenerate heel that his Oscar nomination for Hud was a foregone conclusion. Although Newman lost the Oscar to Sidney Poitier in Lilies of the Field, Oscars did go to Neal for Best Actress, Douglas for Best Supporting Actor, and cinematographer James Wong Howe.
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Nation:
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UNITED STATES
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Cinematography:
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James Wong Howe
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Film editor:
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Frank Bracht
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Screenplay:
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Irving Ravetch, Harriet Frank Jr.
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Play4film's point of view:
“Hud” is a solid, multi-faceted drama about family ties, personality differences and man in the macho sense. Martin Ritt directed this film starring the dazzlingly handsome Paul Newman in one of his best known roles: that of a young man who refuses to accept conventions and impositions and behaves according to his own instincts. Alongside him are his elderly father and his teenage nephew: they seem to manoeuvre around that universe governed by the laws of attraction and repulsion. The film was a deserved success.
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Awards:
Venezia 1963
OCIC Award: Martin Ritt
Oscar 1964
Best Actor in a Supporting Role: Melvyn Douglas
Best Actress in a Leading Role:
Patricia Neal
Best Cinematography, Black-and-White:
James Wong Howe
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